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HTTP/1.1 200 OKConnection: Keep-AliveKeep-Alive: timeout5, max100Content-Type: text/html; charsetUTF-8Link: http://en.rastergallery.com/wp-json/>; relhttps://api.w.org/Transfer-Encoding: chunkedDate: Wed, 18 Feb 2026 01:46:37 GMTServer: LiteSpeedRetry-After: 3Vary: User-Agent !DOCTYPE html>!--if lt IE 7> html classno-js lt-ie9 lt-ie8 lt-ie7> !endif-->!--if IE 7> html classno-js lt-ie9 lt-ie8> !endif-->!--if IE 8> html classno-js lt-ie9> !endif-->!--if gt IE 8>!--> html classno-js> !--!endif--> head> script typetext/javascript srchttp://code.jquery.com/jquery-1.7.2.min.js >/script> title>Raster/title> meta http-equivContent-Type contenttext/html; charsetUTF-8> meta charsetutf-8> meta http-equivX-UA-Compatible contentIEedge,chrome1> meta namedescription contentGaleria Raster / Wspolna 63, 00-687 Warszawa / wtorek-sobota: 12-18 / info@rastergallery.com> meta namekeywords contentraster, galeria, warszawa, Bogacka, Budny, Bujnowski, Dawicki, Grzeszykowska, Libera, Maciejowski, Matecki, Rogalski, Sasnal, kaczyński, gorczyca /> meta nameviewport contentwidthdevice-width> !-- Place favicon.ico and apple-touch-icon.png in the root directory --> link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/css/normalize.css> link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/css/main.css> link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/css/grid.css> link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/style.css> link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/updates.css?1624460437 /> link relicon typeimage/png hrefhttp://rastergallery.com/wp-content/themes/raster/img/icon.png> script srchttp://rastergallery.com/wp-content/themes/raster/js/jquery.infinitescroll.min.js>/script> script srchttp://rastergallery.com/wp-content/themes/raster/js/jquery.masonry.min.js>/script> script srchttp://rastergallery.com/wp-content/themes/raster/js/jquery.masonry.ordered.js>/script> !-- Add jQuery library -->!-- Add mousewheel plugin (this is optional) -->script typetext/javascript srchttp://rastergallery.com/wp-content/themes/raster/fancybox/lib/jquery.mousewheel-3.0.6.pack.js>/script>!-- Add fancyBox -->link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/fancybox/source/jquery.fancybox.css?v2.1.4 typetext/css mediascreen />script typetext/javascript srchttp://rastergallery.com/wp-content/themes/raster/fancybox/source/jquery.fancybox.pack.js?v2.1.4>/script>!-- Optionally add helpers - button, thumbnail and/or media -->link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/fancybox/source/helpers/jquery.fancybox-buttons.css?v1.0.5 typetext/css mediascreen />script typetext/javascript srchttp://rastergallery.com/wp-content/themes/raster/fancybox/source/helpers/jquery.fancybox-buttons.js?v1.0.5>/script>script typetext/javascript srchttp://rastergallery.com/wp-content/themes/raster/fancybox/source/helpers/jquery.fancybox-media.js?v1.0.5>/script>link relstylesheet hrefhttp://rastergallery.com/wp-content/themes/raster/fancybox/source/helpers/jquery.fancybox-thumbs.css?v1.0.7 typetext/css mediascreen />script typetext/javascript srchttp://rastergallery.com/wp-content/themes/raster/fancybox/source/helpers/jquery.fancybox-thumbs.js?v1.0.7>/script>/head>body> !-- STRONA - raster - początek -->div classonepcssgrid-1500> !-- Główny kontener - początek -->header classonerow idgora> !-- Wiersz menu głównego - początek -->div classawaryjny>/div> section classcol3> !-- Sekcja LOGO --> div idlogo> ul> li>/li> li>a hrefhttp://en.rastergallery.com>img srchttp://rastergallery.com/wp-content/themes/raster/img/logo-outline.jpg>/a>/li> li>/li> /ul> /div> /section> section classcol3>!-- Sekcja GALERIA, WYSTAWY, ARTYŚCI--> ul> li classcat-item cat-item-19>a hrefhttp://en.rastergallery.com/galeria/>Gallery/a>/li> li classcat-item cat-item-25>a hrefhttp://en.rastergallery.com/wystawy/>Exhibitions/a>/li> li classcat-item cat-item-31>a hrefhttp://en.rastergallery.com/artysci/>Artists/a>/li> /ul> /section> section classcol3> !-- Sekcja KSIĘGARNIA, PUBLIKACJE, EDYCJE --> ul> li classcat-item cat-item-72>a hrefhttp://en.rastergallery.com/galeria/blog/ksiegarnia/>Bookshop/a>/li> li classcat-item cat-item-35>a hrefhttp://en.rastergallery.com/publikacje/>Publications/a>/li> li classcat-item cat-item-37>a hrefhttp://en.rastergallery.com/edycje/>Editions/a>/li> /ul> /section> section classcol3 last> !-- Sekcja KONTAKT, FACEBOOK, ENGLISH --> ul> li>a hrefhttp://www.facebook.com/rastergallery targetblank>facebook/a>/li> li classpage_item page-item-2>a hrefhttp://en.rastergallery.com/kontakt/>Contact/a>/li> li>span>a hrefhttps://rastergallery.com/>POLSKI/a>/span>/li> /ul> /section>/header> !-- Wiersz menu głównego - koniec -->!-- WNĘTRZE STRONY -->section classonerow> section classcol6>!-- FEATURED --> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/oskar-dawicki-usta-usta/ relbookmark titleOskar Dawicki br> MOUTH TO MOUTH> img srchttp://rastergallery.com/wp-content/uploads/2026/02/DSF8143_mk.jpg altOskar Dawicki br> MOUTH TO MOUTH> div classnadtytul>p>CURRENT EXHIBITION/p>/div> h3 classkapitaliki>Oskar Dawicki br> MOUTH TO MOUTH/h3> p>Taking air into one’s mouth can happen in different situations: to inflate a balloon, or to stop oneself from saying too much, but also when performing mouth-to-mouth rescucitation. All of these cases appear in Oskar Dawicki’s latest exhibition./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/art-basel-qatar-slavs-and-tatars/ relbookmark titleArt Basel Qatar br> Slavs and Tatars> img srchttp://rastergallery.com/wp-content/uploads/2026/01/Art_Basel_Qatar_2026_Doha_impressions_35_HiRes.jpg altArt Basel Qatar br> Slavs and Tatars> div classnadtytul>p>ART BASEL QATAR 2026/p>/div> h3 classkapitaliki>Art Basel Qatar br> Slavs and Tatars/h3> p>We invite you to the solo presentation of Slavs and Tatars as part of the inaugural edition of Art Basel Qatar in Doha, from 3 to 7 February (booth D209)./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/karolina-jablonska-babie-lato/ relbookmark titleKarolina Jabłońska br> OLD WIVES’ SUMMER> img srchttp://rastergallery.com/wp-content/uploads/2025/11/afisz-jablonska.jpg altKarolina Jabłońska br> OLD WIVES’ SUMMER> div classnadtytul>p>EXHIBITIONS 2026/p>/div> h3 classkapitaliki>Karolina Jabłońska br> OLD WIVES’ SUMMER/h3> p>Karolina Jabłońska’s latest exhibition reveals a reflective side of her artistic personality./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/art-warsaw-miodowa/ relbookmark titleART WARSAW MIODOWA> img srchttp://rastergallery.com/wp-content/uploads/2013/02/ART_WARSAW_test_44-2-scaled.jpg altART WARSAW MIODOWA> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>ART WARSAW MIODOWA/h3> p>This coming weekend, 13–14 December, we invite you to a special event: ART WARSAW MIODOWA, at 18 Miodowa Street in Warsaw. Together with the Turnus gallery, we have prepared a sensational revival of our legendary project — the Budget Art Fair./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/art-collaboration-kyoto-janek-simon-kazuhito-tanaka-slawomir-elsner/ relbookmark titleArt Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner> img srchttp://rastergallery.com/wp-content/uploads/2025/10/afisz2-scaled.jpg altArt Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Art Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner/h3> p>Raster presents a meeting of three artists arranged especially for ACK: Kyoto-based Kazuhito Tanaka, Berlin-based Slawomir Elsner and Warsaw-based Janek Simon./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/paris-photo-2025/ relbookmark titleParis Photo 2025> img srchttp://rastergallery.com/wp-content/uploads/2025/10/afisz-paris-photo2.jpg altParis Photo 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Paris Photo 2025/h3> p>Raster returns to Paris Photo with a curated presentation focused on photographicbr />representations of the intersecting fringes of the human environment and wildlife./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/edward-dwurnik-zofia-rydet-pawel-althamer-ludzie/ relbookmark titleEdward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE> img srchttp://rastergallery.com/wp-content/uploads/2025/09/Ludzie-afisz1-scaled.jpg altEdward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE> div classnadtytul>p>WARSAW GALLERY WEEKEND 2025/p>/div> h3 classkapitaliki>Edward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE/h3> p>Chochołów, Sławoszyno, Chęciny, Celejów — the exhibition takes place far from art centres, and its protagonists are not artists but the titular People — residents of Polish villages and small towns. The narrative unfolds over three decades, from the 1960s to the early 1990s. During that time, independently of each other and outside the framework of official artistic policy, Edward Dwurnik and Zofia Rydet embarked on their own unique, personal journeys deep into the country./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/karolina-jarzebak-iza-opielka-katarzyna-przezwanska-janek-simon-crafts-fiction/ relbookmark titleKarolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION> img srchttp://rastergallery.com/wp-content/uploads/2025/07/crafts-scaled.jpg altKarolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION> div classnadtytul>p>CURRENT EXHIBITION/p>/div> h3 classkapitaliki>Karolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION/h3> p>The Crafts Fiction exhibition offers a journey back in time – simultaneously into the distant past and the indefinite future. Opening: July 19, 2025, 5–8 PM./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/hotel-warszawa-art-fair-2025/ relbookmark titleHotel Warszawa Art Fair 2025> img srchttp://rastergallery.com/wp-content/uploads/2025/09/hwaf.jpg altHotel Warszawa Art Fair 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Hotel Warszawa Art Fair 2025/h3> p>As part of the 4th edition of Hotel Warszawa Art Fair, we are pleased to present new works by two exceptional artists who have been closely connected with Raster for over 20 years./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/monika-falkus-szmata-syrena/ relbookmark titleMonika Falkus br> SIREN SLUT> img srchttp://rastergallery.com/wp-content/uploads/2025/05/IMG_1294.jpg altMonika Falkus br> SIREN SLUT> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>Monika Falkus br> SIREN SLUT/h3> p>Siren Slut is a painterly treatise on desire and the search for fulfilment. Each painting here is a form of rapprochement, a sexual relationship, but at the same time a figure of extreme emotional tension./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/constellationsreeha-lim-zbigniew-rogalski-i-jin-ruoxi/ relbookmark titleCONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi> img srchttp://rastergallery.com/wp-content/uploads/2025/04/afisz-website.jpg altCONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>CONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi/h3> p>This weekend, April 12-13, we invite you to Raster for the opening of a new exhibition prepared in cooperation with Shanghai-based Vacancy gallery as part of the 2nd edition of the international project of Warsaw’s Constellations galleries.br />We present the works of three artists, Reeh Lim (b. 1994), Zbigniew Rogalski (b. 1974) and Jin Ruoxi (b. 1997)./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/nada-villa-warsaw-2025/ relbookmark titleNADA Villa Warsaw 2025> img srchttp://rastergallery.com/wp-content/uploads/2025/03/Bez-nazwy-1-13.02.24.jpg altNADA Villa Warsaw 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>NADA Villa Warsaw 2025/h3> p>The second edition of NADA Villa Warsaw will take place at the historic Villa Gawrońskich in Warsaw, Poland, from May 22–25, 2025./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/gvantsa-jishkariani-trauma-porn/ relbookmark titleGvantsa Jishkariani br> TRAUMA PORN> img srchttp://rastergallery.com/wp-content/uploads/2025/02/Trauma-Porn.jpg altGvantsa Jishkariani br> TRAUMA PORN> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>Gvantsa Jishkariani br> TRAUMA PORN/h3> p>Jishkariani, who was born the same year that Georgia regained its independence, can indeed be brutally honest, and she does combine formalism with morality, but generational traumas are also reflected in her works. The starting material for these pieces is the decorative tapestries that were popular in the Soviet Union, which the artist deconstructs and processes by applying embroidered mottos./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/dominika-olszowy-globus-hystericus/ relbookmark titleDominika Olszowy br> GLOBUS HYSTERICUS> img srchttp://rastergallery.com/wp-content/uploads/2024/11/GLOBUSHYSTERICUS1nazwisko.jpg altDominika Olszowy br> GLOBUS HYSTERICUS> div classnadtytul>p>EXHIBITION 2024/2025/p>/div> h3 classkapitaliki>Dominika Olszowy br> GLOBUS HYSTERICUS/h3> p>The exhibition is titled „Globus Hystericus”. This sumptuous Latin phrase refers to a common psychosomatic disorder—simply a lump in the throat. Whether a frog in the throat or a bent treetop, every crisis has a tangible shape, and every shape has its artist. A healer./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/nada-miami-2024/ relbookmark titleNADA Miami 2024> img srchttp://rastergallery.com/wp-content/uploads/2024/11/Cocoon-2024-oil-on-board-20-×-15-×-3.5-cm-7.9-×-5.9-×-1.4-in.jpg altNADA Miami 2024> div classnadtytul>p>ART FAIRS 2024/p>/div> h3 classkapitaliki>NADA Miami 2024/h3> p>Traditionally, in the first week of December we invite you to Miami, where Raster is taking part in the NADA contemporary art fair. This time we are presenting new paintings by Karolina Jabłońska and Emilia Kina, drawings by Sławomir Elsner, and photographs by Aneta Grzeszykowska. The fair will be held on 3–7 December 2024./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/aneta-grzeszykowska-karma/ relbookmark titleAneta Grzeszykowska br> KARMA> img srchttp://rastergallery.com/wp-content/uploads/2024/08/afisz-6.jpg altAneta Grzeszykowska br> KARMA> div classnadtytul>p>WARSAW GALLERY WEEKEND 2024/p>/div> h3 classkapitaliki>Aneta Grzeszykowska br> KARMA/h3> p>Karma is a narrative of animalization, but also the personification of bodies reduced to the role of objects./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/olaf-brzeski-statek/ relbookmark titleOlaf Brzeski br> SHIP> img srchttp://rastergallery.com/wp-content/uploads/2024/09/afisz-kreda-scaled.jpg altOlaf Brzeski br> SHIP> div classnadtytul>p>WARSAW GALLERY WEEKEND 2024/p>/div> h3 classkapitaliki>Olaf Brzeski br> SHIP/h3> p>In the Raster garden, Olaf Brzeski presents a souvenir family photo. But it takes the original form of a spatial sculptural composition of ceramic and steel. The shape of the ship in the title is suggestive of the female body, and onboard are an astronaut, the astronaut’s mother, a teenage boy, and the head of a dog./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/targi_sztuki/paris-photo/ relbookmark titleParis Photo br> Aneta Grzeszykowska and Zofia Rydet> img srchttp://rastergallery.com/wp-content/uploads/2024/10/afisz-paris-photo.jpg altParis Photo br> Aneta Grzeszykowska and Zofia Rydet> div classnadtytul>p>PARIS PHOTO 2024/p>/div> h3 classkapitaliki>Paris Photo br> Aneta Grzeszykowska and Zofia Rydet/h3> p>Raster presents a dialogue between two recognized female artists from two generations: Zofia Rydet (1911-1997) and Aneta Grzeszykowska (b.1974)./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/slawomir-elsner-julian-stanczak-dwa-swiatla/ relbookmark titleSławomir Elsner, Julian Stańczak br> TWO LIGHTS> img srchttp://rastergallery.com/wp-content/uploads/2013/02/afisz1-3-scaled.jpg altSławomir Elsner, Julian Stańczak br> TWO LIGHTS> div classnadtytul>p>EXHIBITIONS 2024/p>/div> h3 classkapitaliki>Sławomir Elsner, Julian Stańczak br> TWO LIGHTS/h3> p>Two Lights is a journey into a world of visual sensations. Abstract works by Elsner and Stańczak, shown together for the first time, draw viewers in with their spectacular surfaces, resulting from a complex and time-consuming painting process./p> /a> /article> article classklocek2> a hrefhttp://en.rastergallery.com/wystawy/slavs-and-tatars-simurgh-self-help/ relbookmark titleSlavs and Tatars br> SIMURGH SELF-HELP> img srchttp://rastergallery.com/wp-content/uploads/2024/05/DEC1715a2-scaled.jpg altSlavs and Tatars br> SIMURGH SELF-HELP> div classnadtytul>p>EXHIBITIONS 2024/p>/div> h3 classkapitaliki>Slavs and Tatars br> SIMURGH SELF-HELP/h3> p>Slavs and Tatars’ new exhibition at Raster Gallery débuts work from Simurgh Self-Help, the collective’s first new cycle of work since Pickle Politics (2016-2023) which was originally launched on the occasion of the artists’ last exhibition at Raster in 2016./p> /a> /article> !-- DWIE KOLUMNY -->div idcontainer-gl classclearfix fluid> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/hotel-warszawa-art-fairs/ relbookmark titleHotel Warszawa Art Fair> img srchttp://rastergallery.com/wp-content/uploads/2024/08/HWAF24-instagram-cover1.png altHotel Warszawa Art Fair> div classnadtytul>p>ART FAIRS 2024/p>/div> h3 classkapitaliki>Hotel Warszawa Art Fair/h3> p>The third edition of the Hotel Warszawa Art Fair will take place on September 7-8, 2024. During this edition, Raster will present works by Sławomir Elsner, Emilia Kina, Dominika Olszowy, and Janek Simon. The works will be displayed in room 104./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/felix-art-fair-2/ relbookmark titleFELIX Art Fair> img srchttp://rastergallery.com/wp-content/uploads/2022/02/afisz-felix-22.jpeg altFELIX Art Fair> div classnadtytul>p>2022 art fairs/p>/div> h3 classkapitaliki>FELIX Art Fair/h3> p>At this year’s FELIX art fair in Los Angeles Raster shows works of Aneta Grzeszykowska, Paulina Stasik, Karolina Jabłońska and Michelle Rawlings./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/nada-miami-3/ relbookmark titleNADA Miami> img srchttp://rastergallery.com/wp-content/uploads/2021/11/afisz.jpg altNADA Miami> div classnadtytul>p>2021 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>At this year’s NADA fair in Miami, Raster shows works of Aneta Grzeszykowska, Karolina Jabłońska, Emilia Kina, Małgorzata Mirga-Tas and Michelle Rawlings./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/friend-of-a-friend-3/ relbookmark titleFRIEND OF A FRIEND> img srchttp://rastergallery.com/wp-content/uploads/2021/03/foaf.jpg altFRIEND OF A FRIEND> div classnadtytul>p>EXHIBITIONS 2021/p>/div> h3 classkapitaliki>FRIEND OF A FRIEND/h3> p>In the third Warsaw edition of the Friend of a Friend project, Galeria Raster, along with The Breeder from Athens and Sophie Tappeiner from Vienna, is presenting an exhibition confronting the nature of pain and discomfort./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/olaf-brzeskiprzygoda/ relbookmark titleOlaf Brzeskibr>ADVENTURE> img srchttp://rastergallery.com/wp-content/uploads/2020/12/Afisz-3-2.jpg altOlaf Brzeskibr>ADVENTURE> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Olaf Brzeskibr>ADVENTURE/h3> p>Adventure is a story full of personal experiences, ruminations on love and death, joy and loss, as well as small but meaningful sensations, like the pleasure from a complement./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/nada-miami-2020/ relbookmark titleNADA Miami> img srchttp://rastergallery.com/wp-content/uploads/2020/11/b5bdc928-42da-49f9-bd0a-8d9bf612ccf3.jpg altNADA Miami> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>Raster at NADA Miami: Przemysław Matecki and Paweł Althamer, Olaf Brzeski, Emilia Kina and Zbigniew Rogalski. This year’s edition of the art fair is taking place in a hybrid form – on the online platform and live at Raster./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/maria-klassenberg/ relbookmark titleTR Warszawabr>MARIA KLASSENBERG> img srchttp://rastergallery.com/wp-content/uploads/2020/11/www_szyld.png altTR Warszawabr>MARIA KLASSENBERG> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>TR Warszawabr>MARIA KLASSENBERG/h3> p>“Maria Klassenberg” is a performance-installation-exhibition, built around the biography and work of Maria Klassenberg, a forgotten figure of contemporary art. The exhibition accompanying the performance presents the archives of Klassenberg prepared by Aneta Grzeszykowska in cooperation with Jan Smaga./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/ziew-sennego-serca/ relbookmark titleDominika Olszowybr>YAWN OF A SLEEPY HEART> img srchttp://rastergallery.com/wp-content/uploads/2020/08/Dominika-Olszowy-„Veļu-Māte”-2020-sketch-for-the-project-courtesy-of-the-artist.jpg altDominika Olszowybr>YAWN OF A SLEEPY HEART> div classnadtytul>p>Riga International Biennial of Contemporary Art/p>/div> h3 classkapitaliki>Dominika Olszowybr>YAWN OF A SLEEPY HEART/h3> p>Dominika Olszowy takes part in the second edition of the biennial in Riga. Her project consists of two parts presented in the Latvian capital and an installation prepared at Raster./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/cosmoscow-4/ relbookmark titleCOSMOSCOW> img srchttp://rastergallery.com/wp-content/uploads/2020/10/plakat2.jpg altCOSMOSCOW> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>COSMOSCOW/h3> p>In Moscow we will present the latest works of Zina Isupova and Lev Povzner./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/not-fair/ relbookmark titleNot Fair> img srchttp://rastergallery.com/wp-content/uploads/2020/08/SM3-general-dla-galerii.jpg altNot Fair> div classnadtytul>p>2020 ART FAIRS/p>/div> h3 classkapitaliki>Not Fair/h3> p>Raster at Not Fair: Janek Simon, Zbigniew Rogalski/p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/janek-simon-machine-learning-folklore/ relbookmark titleJanek Simon br>MACHINE LEARNING FOLKLORE> img srchttp://rastergallery.com/wp-content/uploads/2020/05/afisz2.jpg altJanek Simon br>MACHINE LEARNING FOLKLORE> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>Janek Simon br>MACHINE LEARNING FOLKLORE/h3> p>The latest exhibition by Janek Simon at Raster has an open structure. Instead of a traditional, arranged showing of completed artistic objects, we are given a process, a situation suggesting a visit to the studio, where we can observe “live” the changing progress of work on each project./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/edward-dwurnik-mojzesz-i-inni-z-rypina/ relbookmark titleEdward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN> img srchttp://rastergallery.com/wp-content/uploads/2020/05/image0a.jpg altEdward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>Edward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN/h3> p>The presentation of ten of Edward Dwurnik’s works on paper never shown before marks the beginning of the work on an intriguing archive of the artist, in which motifs and stories known from paintings are developed, or the reverse—drawings left by the artist include ideas and emotions later expanded on in his paintings./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/fair/ relbookmark titleFAIR> img srchttp://rastergallery.com/wp-content/uploads/2020/05/NADA_FAIR_instagram_post_total.jpg altFAIR> div classnadtytul>p>2020 ART FAIRS/p>/div> h3 classkapitaliki>FAIR/h3> p>Raster at FAIR: Slavs and Tatars, Zbigniew Rogalski, Janek Simon, Karolina Jabłońska./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/emilia-kina-parawan/ relbookmark titleEmilia Kina br>SCREEN> img srchttp://rastergallery.com/wp-content/uploads/2020/01/afisz.jpg altEmilia Kina br>SCREEN> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Emilia Kina br>SCREEN/h3> p>Emilia Kina focuses on the margins of depiction, of what is merely a frame for the proper view, what hides it or merely appears. Her relief compositions, painting/screens captivating in their material beauty, divert attention from the digital inflation of images and messages./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/krzysztof-zielinski-hometown/ relbookmark titleKrzysztof Zieliński br>HOMETOWN> img srchttp://rastergallery.com/wp-content/uploads/2020/02/afisz-zielinski.jpg altKrzysztof Zieliński br>HOMETOWN> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Krzysztof Zieliński br>HOMETOWN/h3> p>Wąbrzeźno, an ordinary little town starting with W, down near the end of the alphabet, in a language where “w” could stand for wszędzie—anywhere, portrayed by the photographer after a decade of systemic changes up to the eve of Poland’s joining the European Union, became a visual synonym for the creeping transformation. Working on colour negatives and alluding to the minimalist poetics of topographic photography, Zieliński created an image of the post-socialist countryside that is the first of its kind, moving and empathetic, constructed from mist and a thousand and one shades of grey./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/michal-budny-kajetan-sosnowski-uklad-rownowartosciowy/ relbookmark titleMichał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT> img srchttp://rastergallery.com/wp-content/uploads/2020/01/sosnowski-budny.jpg altMichał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Michał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT/h3> p>At the joint exhibition Equivalent Arrangement Michał Budny and Kajetan Sosnowski meet for the first time. The works of both artists, seemingly abstract, in various ways defy easy classifications of genre. They operate through images and masses but use little painting or sculpting. Their compositions generally finds its origins in an abstract drawing—noted on paper or only conceptualized—as a type of minimalist score, the simplest recording of an idea./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/felix-art-fair/ relbookmark titleFELIX Art Fair> img srchttp://rastergallery.com/wp-content/uploads/2019/12/felix.jpg altFELIX Art Fair> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>FELIX Art Fair/h3> p>Raster at Felix Art Fair in Los Angeles: Aneta Grzeszykowska, Marcin Maciejowski, Przemek Matecki, Zbigniew Rogalski, Michelle Rawlings, Janek Simon/p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/michal-budny-zaden/ relbookmark titleMichał Budny br>NEITHER> img srchttp://rastergallery.com/wp-content/uploads/2019/11/budny-afisz.jpg altMichał Budny br>NEITHER> div classnadtytul>p>EXHIBITIONS 2019/p>/div> h3 classkapitaliki>Michał Budny br>NEITHER/h3> p>The show “Neither” is Budny’s latest radical statement, this time with a vector aiming upwards, “into space, far from earthly concerns and triviality, from the quotidian and everything that weighs us down and detracts us from what is important.”/p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/targi_sztuki/nada-miami-2/ relbookmark titleNADA Miami> img srchttp://rastergallery.com/wp-content/uploads/2019/11/afisz.jpg altNADA Miami> div classnadtytul>p>2019 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>Raster at NADA Miami: Aneta Grzeszykowska, Przemek Matecki, Janek Simon, Slavs and Tatars./p> /a> /article> article classbox-gl> a hrefhttp://en.rastergallery.com/wystawy/lew-powzner-pole-cudow/ relbookmark titleLev Povzner br>FIELD OF MIRACLES> img srchttp://rastergallery.com/wp-content/uploads/2019/11/Povzner-afisz.jpg altLev Povzner br>FIELD OF MIRACLES> div classnadtytul>p>Exhibitions 2019/p>/div> h3 classkapitaliki>Lev Povzner br>FIELD OF MIRACLES/h3> p>Joint exhibition of Galeria Dawid Radziszewski and Raster Gallery is the first-ever in Poland for Lev Povzner, a painter from the movement of Russian nonconformists. He works in his own flat and uses domestic materials. Povzner’s elaborate, individual brand of surrealism represents a return to the political potential of the genre. At this exhibition we present a selection of his newest works./p> /a> /article> !-- PAGINACJA -->div classpagination>a hrefhttp://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div>/section> section classcol3>div idarticle-grid-left> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/istnienie/?kontekstedycje relbookmark titleExistence> img srchttp://rastergallery.com/wp-content/uploads/2025/12/istnienie-scaled.jpg altExistence> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/grzeszykowska/ reltag>Aneta Grzeszykowska/a>br /> span classkapitaliki>Existence/span>/h3> p>Aneta Grzeszykowska, who underwent gymnastics training during her school years, also uses her own body as a tool, creating filmic choreographies and political posters with it. Istnienie emerged in the wake of the Women’s Strike protests, but it also functions as a form of existential training, prompting reflection on the inseparability of language, consciousness, and its bodily vessel./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/dr-schnabel/?kontekstedycje relbookmark titleDr Schnabel> img srchttp://rastergallery.com/wp-content/uploads/2013/02/AUT0374a1-scaled.jpg altDr Schnabel> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/simon/ reltag>Janek Simon/a>br /> span classkapitaliki>Dr Schnabel/span>/h3> p>Janek Simon is known for his unconventional journeys into the depths of the world and into distant moments of history, translating his experiences from these voyages into the language of contemporary, democratic technologies. This time, in a series of figures realized using his distinctive 3D printing technique, the artist evokes the figure of the plague doctor./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/klebowisko-proca/?kontekstedycje relbookmark titleTangle / Sling> img srchttp://rastergallery.com/wp-content/uploads/2025/12/AUT0425a3-scaled.jpg altTangle / Sling> div classnadtytul>p>BOOK WITH ART/p>/div> h3>a hrefhttp://en.rastergallery.com/tag/stasik/ reltag>Paulina Stasik/a>br /> span classkapitaliki>Tangle / Sling/span>/h3> p>On the occasion of Paulina Stasik’s recent exhibition at the BWA gallery in Tarnów, her authorial book Autoportret z językiem na wierzchu (Self-Portrait with Tongue Out) was released. As a special edition accompanying the publication, the artist created two works in a refined printmaking technique: Kłębowisko and Proca. Both are available in a limited edition …/p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/15111/?kontekstedycje relbookmark titleDesecrator’s Gymnastics> img srchttp://rastergallery.com/wp-content/uploads/2025/12/547db6e3860c2-scaled.jpg altDesecrator’s Gymnastics> div classnadtytul>p>BOOK WITH ART/p>/div> h3>a hrefhttp://en.rastergallery.com/tag/dawicki/ reltag>Oskar Dawicki/a>br /> span classkapitaliki>Desecrator’s Gymnastics/span>/h3> p>Now available – Oskar Dawicki’s album “I’m Sorry”, with a photograph signed by the artist from the “Gimnastyka profana (Desecrator’s Gymnastics)” series, priced at 800 PLN./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/samoopalacz-helioderm/?kontekstedycje relbookmark titleHelioderm> img srchttp://rastergallery.com/wp-content/uploads/2025/12/AUT0390a_podpis-scaled.jpg altHelioderm> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/nicolas-grospierre/ reltag>Nicolas Grospierre/a>br /> span classkapitaliki>Helioderm/span>/h3> p>Nicolas Grospierre is a renowned artist and photographer, an explorer of brutalist architecture, and a creator of illusionistic photographic objects. A few years ago, he discovered the charms of heliography—images created using sunlight. The abstract compositions he produces on fabrics have been exhibited, among other places, at the Palace on the Isle in Warsaw’s Łazienki Royal Park. Helioderm is an intriguing attempt to transfer this same method onto the surface of human skin./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/autoportret-z-jezykiem-na-wierzchu/ relbookmark titleSELF-PORTRAIT WITH TONGUE STICKING OUT> img srchttp://rastergallery.com/wp-content/uploads/2025/12/website.jpg altSELF-PORTRAIT WITH TONGUE STICKING OUT> div classnadtytul>/div> h3 classkapitaliki>SELF-PORTRAIT WITH TONGUE STICKING OUT/h3> p>The publication devoted to the work of Paulina Stasik, entitled Autoportret z językiem na wierzchu, presents an extensive selection of the artist’s works accompanied by her own commentary. The volume is further complemented by essays by Natalia Gierowska and Michalina Sablik./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/zlamany-grosz/?kontekstedycje relbookmark titleBroken Penny> img srchttp://rastergallery.com/wp-content/uploads/2013/02/AUT0023a1.jpg altBroken Penny> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/olszowy/ reltag>Dominika Olszowy/a>br /> span classkapitaliki>Broken Penny/span>/h3> p>Dominika Olszowy is an artist unafraid to stoop low—picking up tiny fragments of reality, a lump of last year’s snow, or a fresh tuft of dust swept from the floor. In her hands, the small and humble can shine, as with the “broken penny”—a signature pendant on a silver chain. A new standard in artistic …/p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/fototatuaze/?kontekstedycje relbookmark titleTemporary Photo Tattoos> img srchttp://rastergallery.com/wp-content/uploads/2013/02/grzeszykowska-tatuaze.jpg altTemporary Photo Tattoos> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/grzeszykowska/ reltag>Aneta Grzeszykowska/a>br /> span classkapitaliki>Temporary Photo Tattoos/span>/h3> p>Do you also sometimes get goosebumps at the sight of Aneta Grzeszykowska’s photographs? This extraordinary artist treats the body as an illusionistic vessel for life. Now her art will touch you in the most literal way through the photo tattoos created by Grzeszykowska. A leather head in a mask is a camouflaged self-portrait of the …/p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/dama-z-lasiczka-wedlug-leonarda-da-vinci-1488-1490-muzeum-narodowe-w-krakowie/?kontekstedycje relbookmark titleLa Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow> img srchttp://rastergallery.com/wp-content/uploads/2013/02/AUT0086a1-scaled.jpg altLa Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/elsner/ reltag>Sławomir Elsner/a>br /> span classkapitaliki>La Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow/span>/h3> p>The puzzle, based on one of his drawings, offers an extreme journey into a tangle of thousands of coloured lines, from which the misty image of the most famous work of art in Polish museum collections gradually emerges./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/publikacje/are-you-really-from-the-art-world/?kontekstedycje relbookmark titlePoster “Are You Really from the Art World”> img srchttp://rastergallery.com/wp-content/uploads/2025/06/Areyou_sygnowany-scaled.jpg altPoster “Are You Really from the Art World”> div classnadtytul>/div> h3>a hrefhttp://en.rastergallery.com/tag/maciejowski/ reltag>Marcin Maciejowski/a>br /> span classkapitaliki>Poster “Are You Really from the Art World”/span>/h3> p>The limited edition consists of 40 copies, signed and numbered by the artist/p> /a> /article> !-- PAGINACJA -->div classpagination2>a hrefhttp://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div> /section> section classcol3 last>div idarticle-grid-right> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/jablonska-i-grzeszykowska-w-muzeum-sztuki-nowoczesnej/ relbookmark titleJabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw> img srchttp://rastergallery.com/wp-content/uploads/2026/02/MSN_241125_003.jpg altJabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Jabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw/h3> p>The Museum of Modern Art in Warsaw has opened the show The Woman Question 1550–2025. At the invitation of curator Alison Gingeras, Karolina Jabłońska painted a large mural introducing the exhibition. Aneta Grzeszykowska also prepared a special photographic work referencing a 16th-century painting by Sofonisba Anguissola. The exhibition is open until 3 May 2026./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/dominika-olszowy-w-opolu-i-bialymstoku/ relbookmark titleDominika Olszowy in Opole i Białystok> img srchttp://rastergallery.com/wp-content/uploads/2026/02/kukania-dokumentacja-107-scaled.jpg altDominika Olszowy in Opole i Białystok> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Dominika Olszowy in Opole i Białystok/h3> p>Cockaigne, is on view at Galeria Arsenał in Białystok (until 9 November) and revolves around the theme of the swamp. The second, addressing the subject of waste, at the Gallery of Contemporary Art in Opole and is titled Nurdles, Dregs and the Clothes of Dead Europeans (until 30 November)./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/emilia-kina-w-poznaniu/ relbookmark titleEmilia Kina in Poznań> img srchttp://rastergallery.com/wp-content/uploads/2026/02/2025-10-31-Kina-w-kazdej-chwili-gdzies-wschodzi-slonce-jpg-high-res-1-scaled.jpg altEmilia Kina in Poznań> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Emilia Kina in Poznań/h3> p>At the Fundacja Czas Kobiet Gallery in Poznań, Emilia Kina has created a new painterly installation that characteristically intertwines scenographic and dramatic elements./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/paulina-stasik-w-bwa-tarnow/ relbookmark titlePaulina Stasik in BWA Tarnów> img srchttp://rastergallery.com/wp-content/uploads/2026/02/2025-10-19-Paulina-Stasik-Widok-Wlasny-social-media-4-scaled.jpg altPaulina Stasik in BWA Tarnów> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Paulina Stasik in BWA Tarnów/h3> p>A View of One’s Own is the title of the latest exhibition of works by Paulina Stasik at the BWA (Art Exhibition Office) in Tarnów./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/artysci/spotkanie-wgw-jak-dbac-o-spuscizne-rozmowa-o-posmiertnych-losach-sztuki-edwarda-dwurnika-i-zofii-rydet/ relbookmark titleWGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?> img srchttp://rastergallery.com/wp-content/uploads/2025/10/wgw-spotkania-2025-naklejka-kopia1-scaled.jpg altWGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?> div classnadtytul>p>WGW MEETINGS/p>/div> h3 classkapitaliki>WGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?/h3> p>Who takes care of an artist’s work after their death, and how? How can one organize an archive and collection? How can an artist’s legacy be promoted after their passing? We invite you to a special meeting with representatives of the family foundations of Edward Dwurnik and Zofia Rydet./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/wawel-wedlug-maciejowskiego/ relbookmark titleMaciejowski’s Wawel> img srchttp://rastergallery.com/wp-content/uploads/2025/06/Bez-nazwy-2.jpg altMaciejowski’s Wawel> div classnadtytul>/div> h3 classkapitaliki>Maciejowski’s Wawel/h3> p>Art book “Wawel Drawings” by Marcin Maciejowski is now available at Raster’s bookstore./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/simon-w-brukseli/ relbookmark titleSimon in Brussels> img srchttp://rastergallery.com/wp-content/uploads/2025/06/20250317_BOZAR_FamiliarStrangers5335-scaled.jpg altSimon in Brussels> div classnadtytul>p>EXHIBITIONS ABROAD/p>/div> h3 classkapitaliki>Simon in Brussels/h3> p>Works by Janek Simon can be seen at the “Familiar Strangers” exhibition at the BOZAR Art Centre in Brussels. Curated by Joanna Warsza, the exhibition explores diverse contemporary identities in Eastern Europe. On view until 29 June. /p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/grzeszykowska-and-kina-w-zamku-ujazdowskim/ relbookmark titleGrzeszykowska and Kina at Ujazdowski Castle> img srchttp://rastergallery.com/wp-content/uploads/2013/02/Web_Wystawa_Oczy_moje_zwodza_pszczoly_22-1.jpg altGrzeszykowska and Kina at Ujazdowski Castle> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Grzeszykowska and Kina at Ujazdowski Castle/h3> p>The show includes works from Aneta Grzeszykowska’s “Franciszka” series, as well as the debut presentation of her new series, “Negative Blood.” Emilia Kina also takes part in the exhibition, engaging in photography alongside her painting practice./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/maciejowski-w-wiedniu/ relbookmark titleMaciejowski in Vienna> img srchttp://rastergallery.com/wp-content/uploads/2013/02/Ringturmverhuellung-2025_Maciejowski_©_Hertha-Hurnaus_Rendering-Wiener-Staedtische-Vers.Verein_1916x1278_acf_cropped.jpg altMaciejowski in Vienna> div classnadtytul>/div> h3 classkapitaliki>Maciejowski in Vienna/h3> p>The façade of the Ringturm skyscraper — the headquarters of Austria’s largest insurance group — has been “dressed” in a monumental image by the artist: a portrait of poet Marcin Świetlicki standing by a bookshelf./p> /a> /article> article classbox-gl2> a hrefhttp://en.rastergallery.com/galeria/blog/zapraszamy-do-fundacji-edwarda-dwurnika/ relbookmark titleEdward Dwurnik: Portrait from Life> img srchttp://rastergallery.com/wp-content/uploads/2025/04/image0.jpg altEdward Dwurnik: Portrait from Life> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Edward Dwurnik: Portrait from Life/h3> p>Latest exhibition, Edward Dwurnik: Portrait from Life, brings back the memory of the artist’s collaboration with Andrzej Szczygł—screenwriter and director of documentary films, who passed away in 2024. The opening will take place on Saturday, April 12, from 3:00 PM to 7:00 PM./p> /a> /article> !-- PAGINACJA -->div classpagination3>a hrefhttp://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div> /section>/section>script>$(function(){var $container $(#container-gl);$container.imagesLoaded( function(){ $container.masonry({ itemSelector: .box-gl, columnWidth: function( containerWidth ) { return containerWidth / 2; }});});// infinite 1$(#container-gl).infinitescroll({ navSelector : .pagination, // selector for the paged navigation (it will be hidden) nextSelector : .pagination a:first, // selector for the NEXT link (to page 2) itemSelector : #container-gl .box-gl, infid: 0, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined } }, // trigger Masonry as a callback function( newElements ) { var $newElems $( newElements ).css({ opacity: 0 }); $newElems.imagesLoaded(function(){ $newElems.animate({ opacity: 1 }); $container.masonry( appended, $newElems, true ); }); } ); });// koniec infinite1// infinite 2$(#article-grid-left).infinitescroll({ navSelector : .pagination2, // selector for the paged navigation (it will be hidden) nextSelector : .pagination2 a:first, // selector for the NEXT link (to page 2) itemSelector : #article-grid-left .box-gl2, infid: 1, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined }});// koniec infinite2// infinite 2$(#article-grid-right).infinitescroll({ navSelector : .pagination3, // selector for the paged navigation (it will be hidden) nextSelector : .pagination3 a:first, // selector for the NEXT link (to page 2) itemSelector : #article-grid-right .box-gl2, infid: 2, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined }});// koniec infinite2/script>footer classonerow> !-- Wiersz stopki --> section classcol12 last idfooter> /section>/footer>/div> !-- Główny kontener - początek -->script typetext/javascript> var _gaq _gaq || ; _gaq.push(_setAccount, UA-41506356-1); _gaq.push(_setDomainName, rastergallery.com); _gaq.push(_trackPageview); (function() { var ga document.createElement(script); ga.type text/javascript; ga.async true; ga.src (https: document.location.protocol ? https://ssl :http://www) + .google-analytics.com/ga.js; var s document.getElementsByTagName(script)0;s.parentNode.insertBefore(ga, s); })();/script> script srchttp://code.jquery.com/ui/1.9.2/jquery-ui.js>/script>div idartysta-info styleposition: absolute; bottom: -4000px;>/div>/body>/html>
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koniec -->!-- WNĘTRZE STRONY -->section classonerow> section classcol6>!-- FEATURED --> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/oskar-dawicki-usta-usta/ relbookmark titleOskar Dawicki br> MOUTH TO MOUTH> img srchttps://rastergallery.com/wp-content/uploads/2026/02/DSF8143_mk.jpg altOskar Dawicki br> MOUTH TO MOUTH> div classnadtytul>p>CURRENT EXHIBITION/p>/div> h3 classkapitaliki>Oskar Dawicki br> MOUTH TO MOUTH/h3> p>Taking air into one’s mouth can happen in different situations: to inflate a balloon, or to stop oneself from saying too much, but also when performing mouth-to-mouth rescucitation. All of these cases appear in Oskar Dawicki’s latest exhibition./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/art-basel-qatar-slavs-and-tatars/ relbookmark titleArt Basel Qatar br> Slavs and Tatars> img srchttps://rastergallery.com/wp-content/uploads/2026/01/Art_Basel_Qatar_2026_Doha_impressions_35_HiRes.jpg altArt Basel Qatar br> Slavs and Tatars> div classnadtytul>p>ART BASEL QATAR 2026/p>/div> h3 classkapitaliki>Art Basel Qatar br> Slavs and Tatars/h3> p>We invite you to the solo presentation of Slavs and Tatars as part of the inaugural edition of Art Basel Qatar in Doha, from 3 to 7 February (booth D209)./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/karolina-jablonska-babie-lato/ relbookmark titleKarolina Jabłońska br> OLD WIVES’ SUMMER> img srchttps://rastergallery.com/wp-content/uploads/2025/11/afisz-jablonska.jpg altKarolina Jabłońska br> OLD WIVES’ SUMMER> div classnadtytul>p>EXHIBITIONS 2026/p>/div> h3 classkapitaliki>Karolina Jabłońska br> OLD WIVES’ SUMMER/h3> p>Karolina Jabłońska’s latest exhibition reveals a reflective side of her artistic personality./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/art-warsaw-miodowa/ relbookmark titleART WARSAW MIODOWA> img srchttps://rastergallery.com/wp-content/uploads/2013/02/ART_WARSAW_test_44-2-scaled.jpg altART WARSAW MIODOWA> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>ART WARSAW MIODOWA/h3> p>This coming weekend, 13–14 December, we invite you to a special event: ART WARSAW MIODOWA, at 18 Miodowa Street in Warsaw. Together with the Turnus gallery, we have prepared a sensational revival of our legendary project — the Budget Art Fair./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/art-collaboration-kyoto-janek-simon-kazuhito-tanaka-slawomir-elsner/ relbookmark titleArt Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner> img srchttps://rastergallery.com/wp-content/uploads/2025/10/afisz2-scaled.jpg altArt Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Art Collaboration Kyoto br> Janek Simon, Kazuhito Tanaka, Sławomir Elsner/h3> p>Raster presents a meeting of three artists arranged especially for ACK: Kyoto-based Kazuhito Tanaka, Berlin-based Slawomir Elsner and Warsaw-based Janek Simon./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/paris-photo-2025/ relbookmark titleParis Photo 2025> img srchttps://rastergallery.com/wp-content/uploads/2025/10/afisz-paris-photo2.jpg altParis Photo 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Paris Photo 2025/h3> p>Raster returns to Paris Photo with a curated presentation focused on photographicbr />representations of the intersecting fringes of the human environment and wildlife./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/edward-dwurnik-zofia-rydet-pawel-althamer-ludzie/ relbookmark titleEdward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE> img srchttps://rastergallery.com/wp-content/uploads/2025/09/Ludzie-afisz1-scaled.jpg altEdward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE> div classnadtytul>p>WARSAW GALLERY WEEKEND 2025/p>/div> h3 classkapitaliki>Edward Dwurnik, Zofia Rydet, Paweł Althamer br> PEOPLE/h3> p>Chochołów, Sławoszyno, Chęciny, Celejów — the exhibition takes place far from art centres, and its protagonists are not artists but the titular People — residents of Polish villages and small towns. The narrative unfolds over three decades, from the 1960s to the early 1990s. During that time, independently of each other and outside the framework of official artistic policy, Edward Dwurnik and Zofia Rydet embarked on their own unique, personal journeys deep into the country./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/karolina-jarzebak-iza-opielka-katarzyna-przezwanska-janek-simon-crafts-fiction/ relbookmark titleKarolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION> img srchttps://rastergallery.com/wp-content/uploads/2025/07/crafts-scaled.jpg altKarolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION> div classnadtytul>p>CURRENT EXHIBITION/p>/div> h3 classkapitaliki>Karolina Jarzębak, Iza Opiełka, Katarzyna Przezwańska, Janek Simon br> CRAFTS FICTION/h3> p>The Crafts Fiction exhibition offers a journey back in time – simultaneously into the distant past and the indefinite future. Opening: July 19, 2025, 5–8 PM./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/hotel-warszawa-art-fair-2025/ relbookmark titleHotel Warszawa Art Fair 2025> img srchttps://rastergallery.com/wp-content/uploads/2025/09/hwaf.jpg altHotel Warszawa Art Fair 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>Hotel Warszawa Art Fair 2025/h3> p>As part of the 4th edition of Hotel Warszawa Art Fair, we are pleased to present new works by two exceptional artists who have been closely connected with Raster for over 20 years./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/monika-falkus-szmata-syrena/ relbookmark titleMonika Falkus br> SIREN SLUT> img srchttps://rastergallery.com/wp-content/uploads/2025/05/IMG_1294.jpg altMonika Falkus br> SIREN SLUT> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>Monika Falkus br> SIREN SLUT/h3> p>Siren Slut is a painterly treatise on desire and the search for fulfilment. Each painting here is a form of rapprochement, a sexual relationship, but at the same time a figure of extreme emotional tension./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/constellationsreeha-lim-zbigniew-rogalski-i-jin-ruoxi/ relbookmark titleCONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi> img srchttps://rastergallery.com/wp-content/uploads/2025/04/afisz-website.jpg altCONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>CONSTELLATIONSbr>Reeha Lim, Zbigniew Rogalski and Jin Ruoxi/h3> p>This weekend, April 12-13, we invite you to Raster for the opening of a new exhibition prepared in cooperation with Shanghai-based Vacancy gallery as part of the 2nd edition of the international project of Warsaw’s Constellations galleries.br />We present the works of three artists, Reeh Lim (b. 1994), Zbigniew Rogalski (b. 1974) and Jin Ruoxi (b. 1997)./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/nada-villa-warsaw-2025/ relbookmark titleNADA Villa Warsaw 2025> img srchttps://rastergallery.com/wp-content/uploads/2025/03/Bez-nazwy-1-13.02.24.jpg altNADA Villa Warsaw 2025> div classnadtytul>p>ART FAIRS 2025/p>/div> h3 classkapitaliki>NADA Villa Warsaw 2025/h3> p>The second edition of NADA Villa Warsaw will take place at the historic Villa Gawrońskich in Warsaw, Poland, from May 22–25, 2025./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/gvantsa-jishkariani-trauma-porn/ relbookmark titleGvantsa Jishkariani br> TRAUMA PORN> img srchttps://rastergallery.com/wp-content/uploads/2025/02/Trauma-Porn.jpg altGvantsa Jishkariani br> TRAUMA PORN> div classnadtytul>p>EXHIBITIONS 2025/p>/div> h3 classkapitaliki>Gvantsa Jishkariani br> TRAUMA PORN/h3> p>Jishkariani, who was born the same year that Georgia regained its independence, can indeed be brutally honest, and she does combine formalism with morality, but generational traumas are also reflected in her works. The starting material for these pieces is the decorative tapestries that were popular in the Soviet Union, which the artist deconstructs and processes by applying embroidered mottos./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/dominika-olszowy-globus-hystericus/ relbookmark titleDominika Olszowy br> GLOBUS HYSTERICUS> img srchttps://rastergallery.com/wp-content/uploads/2024/11/GLOBUSHYSTERICUS1nazwisko.jpg altDominika Olszowy br> GLOBUS HYSTERICUS> div classnadtytul>p>EXHIBITION 2024/2025/p>/div> h3 classkapitaliki>Dominika Olszowy br> GLOBUS HYSTERICUS/h3> p>The exhibition is titled „Globus Hystericus”. This sumptuous Latin phrase refers to a common psychosomatic disorder—simply a lump in the throat. Whether a frog in the throat or a bent treetop, every crisis has a tangible shape, and every shape has its artist. A healer./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/nada-miami-2024/ relbookmark titleNADA Miami 2024> img srchttps://rastergallery.com/wp-content/uploads/2024/11/Cocoon-2024-oil-on-board-20-×-15-×-3.5-cm-7.9-×-5.9-×-1.4-in.jpg altNADA Miami 2024> div classnadtytul>p>ART FAIRS 2024/p>/div> h3 classkapitaliki>NADA Miami 2024/h3> p>Traditionally, in the first week of December we invite you to Miami, where Raster is taking part in the NADA contemporary art fair. This time we are presenting new paintings by Karolina Jabłońska and Emilia Kina, drawings by Sławomir Elsner, and photographs by Aneta Grzeszykowska. The fair will be held on 3–7 December 2024./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/aneta-grzeszykowska-karma/ relbookmark titleAneta Grzeszykowska br> KARMA> img srchttps://rastergallery.com/wp-content/uploads/2024/08/afisz-6.jpg altAneta Grzeszykowska br> KARMA> div classnadtytul>p>WARSAW GALLERY WEEKEND 2024/p>/div> h3 classkapitaliki>Aneta Grzeszykowska br> KARMA/h3> p>Karma is a narrative of animalization, but also the personification of bodies reduced to the role of objects./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/olaf-brzeski-statek/ relbookmark titleOlaf Brzeski br> SHIP> img srchttps://rastergallery.com/wp-content/uploads/2024/09/afisz-kreda-scaled.jpg altOlaf Brzeski br> SHIP> div classnadtytul>p>WARSAW GALLERY WEEKEND 2024/p>/div> h3 classkapitaliki>Olaf Brzeski br> SHIP/h3> p>In the Raster garden, Olaf Brzeski presents a souvenir family photo. But it takes the original form of a spatial sculptural composition of ceramic and steel. The shape of the ship in the title is suggestive of the female body, and onboard are an astronaut, the astronaut’s mother, a teenage boy, and the head of a dog./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/targi_sztuki/paris-photo/ relbookmark titleParis Photo br> Aneta Grzeszykowska and Zofia Rydet> img srchttps://rastergallery.com/wp-content/uploads/2024/10/afisz-paris-photo.jpg altParis Photo br> Aneta Grzeszykowska and Zofia Rydet> div classnadtytul>p>PARIS PHOTO 2024/p>/div> h3 classkapitaliki>Paris Photo br> Aneta Grzeszykowska and Zofia Rydet/h3> p>Raster presents a dialogue between two recognized female artists from two generations: Zofia Rydet (1911-1997) and Aneta Grzeszykowska (b.1974)./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/slawomir-elsner-julian-stanczak-dwa-swiatla/ relbookmark titleSławomir Elsner, Julian Stańczak br> TWO LIGHTS> img srchttps://rastergallery.com/wp-content/uploads/2013/02/afisz1-3-scaled.jpg altSławomir Elsner, Julian Stańczak br> TWO LIGHTS> div classnadtytul>p>EXHIBITIONS 2024/p>/div> h3 classkapitaliki>Sławomir Elsner, Julian Stańczak br> TWO LIGHTS/h3> p>Two Lights is a journey into a world of visual sensations. Abstract works by Elsner and Stańczak, shown together for the first time, draw viewers in with their spectacular surfaces, resulting from a complex and time-consuming painting process./p> /a> /article> article classklocek2> a hrefhttps://en.rastergallery.com/wystawy/slavs-and-tatars-simurgh-self-help/ relbookmark titleSlavs and Tatars br> SIMURGH SELF-HELP> img srchttps://rastergallery.com/wp-content/uploads/2024/05/DEC1715a2-scaled.jpg altSlavs and Tatars br> SIMURGH SELF-HELP> div classnadtytul>p>EXHIBITIONS 2024/p>/div> h3 classkapitaliki>Slavs and Tatars br> SIMURGH SELF-HELP/h3> p>Slavs and Tatars’ new exhibition at Raster Gallery débuts work from Simurgh Self-Help, the collective’s first new cycle of work since Pickle Politics (2016-2023) which was originally launched on the occasion of the artists’ last exhibition at Raster in 2016./p> /a> /article> !-- DWIE KOLUMNY -->div idcontainer-gl classclearfix fluid> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/hotel-warszawa-art-fairs/ relbookmark titleHotel Warszawa Art Fair> img srchttps://rastergallery.com/wp-content/uploads/2024/08/HWAF24-instagram-cover1.png altHotel Warszawa Art Fair> div classnadtytul>p>ART FAIRS 2024/p>/div> h3 classkapitaliki>Hotel Warszawa Art Fair/h3> p>The third edition of the Hotel Warszawa Art Fair will take place on September 7-8, 2024. During this edition, Raster will present works by Sławomir Elsner, Emilia Kina, Dominika Olszowy, and Janek Simon. The works will be displayed in room 104./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/felix-art-fair-2/ relbookmark titleFELIX Art Fair> img srchttps://rastergallery.com/wp-content/uploads/2022/02/afisz-felix-22.jpeg altFELIX Art Fair> div classnadtytul>p>2022 art fairs/p>/div> h3 classkapitaliki>FELIX Art Fair/h3> p>At this year’s FELIX art fair in Los Angeles Raster shows works of Aneta Grzeszykowska, Paulina Stasik, Karolina Jabłońska and Michelle Rawlings./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/nada-miami-3/ relbookmark titleNADA Miami> img srchttps://rastergallery.com/wp-content/uploads/2021/11/afisz.jpg altNADA Miami> div classnadtytul>p>2021 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>At this year’s NADA fair in Miami, Raster shows works of Aneta Grzeszykowska, Karolina Jabłońska, Emilia Kina, Małgorzata Mirga-Tas and Michelle Rawlings./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/friend-of-a-friend-3/ relbookmark titleFRIEND OF A FRIEND> img srchttps://rastergallery.com/wp-content/uploads/2021/03/foaf.jpg altFRIEND OF A FRIEND> div classnadtytul>p>EXHIBITIONS 2021/p>/div> h3 classkapitaliki>FRIEND OF A FRIEND/h3> p>In the third Warsaw edition of the Friend of a Friend project, Galeria Raster, along with The Breeder from Athens and Sophie Tappeiner from Vienna, is presenting an exhibition confronting the nature of pain and discomfort./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/olaf-brzeskiprzygoda/ relbookmark titleOlaf Brzeskibr>ADVENTURE> img srchttps://rastergallery.com/wp-content/uploads/2020/12/Afisz-3-2.jpg altOlaf Brzeskibr>ADVENTURE> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Olaf Brzeskibr>ADVENTURE/h3> p>Adventure is a story full of personal experiences, ruminations on love and death, joy and loss, as well as small but meaningful sensations, like the pleasure from a complement./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/nada-miami-2020/ relbookmark titleNADA Miami> img srchttps://rastergallery.com/wp-content/uploads/2020/11/b5bdc928-42da-49f9-bd0a-8d9bf612ccf3.jpg altNADA Miami> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>Raster at NADA Miami: Przemysław Matecki and Paweł Althamer, Olaf Brzeski, Emilia Kina and Zbigniew Rogalski. This year’s edition of the art fair is taking place in a hybrid form – on the online platform and live at Raster./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/maria-klassenberg/ relbookmark titleTR Warszawabr>MARIA KLASSENBERG> img srchttps://rastergallery.com/wp-content/uploads/2020/11/www_szyld.png altTR Warszawabr>MARIA KLASSENBERG> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>TR Warszawabr>MARIA KLASSENBERG/h3> p>“Maria Klassenberg” is a performance-installation-exhibition, built around the biography and work of Maria Klassenberg, a forgotten figure of contemporary art. The exhibition accompanying the performance presents the archives of Klassenberg prepared by Aneta Grzeszykowska in cooperation with Jan Smaga./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/ziew-sennego-serca/ relbookmark titleDominika Olszowybr>YAWN OF A SLEEPY HEART> img srchttps://rastergallery.com/wp-content/uploads/2020/08/Dominika-Olszowy-„Veļu-Māte”-2020-sketch-for-the-project-courtesy-of-the-artist.jpg altDominika Olszowybr>YAWN OF A SLEEPY HEART> div classnadtytul>p>Riga International Biennial of Contemporary Art/p>/div> h3 classkapitaliki>Dominika Olszowybr>YAWN OF A SLEEPY HEART/h3> p>Dominika Olszowy takes part in the second edition of the biennial in Riga. Her project consists of two parts presented in the Latvian capital and an installation prepared at Raster./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/cosmoscow-4/ relbookmark titleCOSMOSCOW> img srchttps://rastergallery.com/wp-content/uploads/2020/10/plakat2.jpg altCOSMOSCOW> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>COSMOSCOW/h3> p>In Moscow we will present the latest works of Zina Isupova and Lev Povzner./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/not-fair/ relbookmark titleNot Fair> img srchttps://rastergallery.com/wp-content/uploads/2020/08/SM3-general-dla-galerii.jpg altNot Fair> div classnadtytul>p>2020 ART FAIRS/p>/div> h3 classkapitaliki>Not Fair/h3> p>Raster at Not Fair: Janek Simon, Zbigniew Rogalski/p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/janek-simon-machine-learning-folklore/ relbookmark titleJanek Simon br>MACHINE LEARNING FOLKLORE> img srchttps://rastergallery.com/wp-content/uploads/2020/05/afisz2.jpg altJanek Simon br>MACHINE LEARNING FOLKLORE> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>Janek Simon br>MACHINE LEARNING FOLKLORE/h3> p>The latest exhibition by Janek Simon at Raster has an open structure. Instead of a traditional, arranged showing of completed artistic objects, we are given a process, a situation suggesting a visit to the studio, where we can observe “live” the changing progress of work on each project./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/edward-dwurnik-mojzesz-i-inni-z-rypina/ relbookmark titleEdward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN> img srchttps://rastergallery.com/wp-content/uploads/2020/05/image0a.jpg altEdward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN> div classnadtytul>p>exhibitions 2020/p>/div> h3 classkapitaliki>Edward Dwurnik br>MOJŻESZ AND OTHERS FROM RYPIN/h3> p>The presentation of ten of Edward Dwurnik’s works on paper never shown before marks the beginning of the work on an intriguing archive of the artist, in which motifs and stories known from paintings are developed, or the reverse—drawings left by the artist include ideas and emotions later expanded on in his paintings./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/fair/ relbookmark titleFAIR> img srchttps://rastergallery.com/wp-content/uploads/2020/05/NADA_FAIR_instagram_post_total.jpg altFAIR> div classnadtytul>p>2020 ART FAIRS/p>/div> h3 classkapitaliki>FAIR/h3> p>Raster at FAIR: Slavs and Tatars, Zbigniew Rogalski, Janek Simon, Karolina Jabłońska./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/emilia-kina-parawan/ relbookmark titleEmilia Kina br>SCREEN> img srchttps://rastergallery.com/wp-content/uploads/2020/01/afisz.jpg altEmilia Kina br>SCREEN> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Emilia Kina br>SCREEN/h3> p>Emilia Kina focuses on the margins of depiction, of what is merely a frame for the proper view, what hides it or merely appears. Her relief compositions, painting/screens captivating in their material beauty, divert attention from the digital inflation of images and messages./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/krzysztof-zielinski-hometown/ relbookmark titleKrzysztof Zieliński br>HOMETOWN> img srchttps://rastergallery.com/wp-content/uploads/2020/02/afisz-zielinski.jpg altKrzysztof Zieliński br>HOMETOWN> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Krzysztof Zieliński br>HOMETOWN/h3> p>Wąbrzeźno, an ordinary little town starting with W, down near the end of the alphabet, in a language where “w” could stand for wszędzie—anywhere, portrayed by the photographer after a decade of systemic changes up to the eve of Poland’s joining the European Union, became a visual synonym for the creeping transformation. Working on colour negatives and alluding to the minimalist poetics of topographic photography, Zieliński created an image of the post-socialist countryside that is the first of its kind, moving and empathetic, constructed from mist and a thousand and one shades of grey./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/michal-budny-kajetan-sosnowski-uklad-rownowartosciowy/ relbookmark titleMichał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT> img srchttps://rastergallery.com/wp-content/uploads/2020/01/sosnowski-budny.jpg altMichał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT> div classnadtytul>p>EXHIBITIONS 2020/p>/div> h3 classkapitaliki>Michał Budny, Kajetan Sosnowski br>EQUIVALENT ARRANGEMENT/h3> p>At the joint exhibition Equivalent Arrangement Michał Budny and Kajetan Sosnowski meet for the first time. The works of both artists, seemingly abstract, in various ways defy easy classifications of genre. They operate through images and masses but use little painting or sculpting. Their compositions generally finds its origins in an abstract drawing—noted on paper or only conceptualized—as a type of minimalist score, the simplest recording of an idea./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/felix-art-fair/ relbookmark titleFELIX Art Fair> img srchttps://rastergallery.com/wp-content/uploads/2019/12/felix.jpg altFELIX Art Fair> div classnadtytul>p>2020 art fairs/p>/div> h3 classkapitaliki>FELIX Art Fair/h3> p>Raster at Felix Art Fair in Los Angeles: Aneta Grzeszykowska, Marcin Maciejowski, Przemek Matecki, Zbigniew Rogalski, Michelle Rawlings, Janek Simon/p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/michal-budny-zaden/ relbookmark titleMichał Budny br>NEITHER> img srchttps://rastergallery.com/wp-content/uploads/2019/11/budny-afisz.jpg altMichał Budny br>NEITHER> div classnadtytul>p>EXHIBITIONS 2019/p>/div> h3 classkapitaliki>Michał Budny br>NEITHER/h3> p>The show “Neither” is Budny’s latest radical statement, this time with a vector aiming upwards, “into space, far from earthly concerns and triviality, from the quotidian and everything that weighs us down and detracts us from what is important.”/p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/targi_sztuki/nada-miami-2/ relbookmark titleNADA Miami> img srchttps://rastergallery.com/wp-content/uploads/2019/11/afisz.jpg altNADA Miami> div classnadtytul>p>2019 art fairs/p>/div> h3 classkapitaliki>NADA Miami/h3> p>Raster at NADA Miami: Aneta Grzeszykowska, Przemek Matecki, Janek Simon, Slavs and Tatars./p> /a> /article> article classbox-gl> a hrefhttps://en.rastergallery.com/wystawy/lew-powzner-pole-cudow/ relbookmark titleLev Povzner br>FIELD OF MIRACLES> img srchttps://rastergallery.com/wp-content/uploads/2019/11/Povzner-afisz.jpg altLev Povzner br>FIELD OF MIRACLES> div classnadtytul>p>Exhibitions 2019/p>/div> h3 classkapitaliki>Lev Povzner br>FIELD OF MIRACLES/h3> p>Joint exhibition of Galeria Dawid Radziszewski and Raster Gallery is the first-ever in Poland for Lev Povzner, a painter from the movement of Russian nonconformists. He works in his own flat and uses domestic materials. Povzner’s elaborate, individual brand of surrealism represents a return to the political potential of the genre. At this exhibition we present a selection of his newest works./p> /a> /article> !-- PAGINACJA -->div classpagination>a hrefhttps://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div>/section> section classcol3>div idarticle-grid-left> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/istnienie/?kontekstedycje relbookmark titleExistence> img srchttps://rastergallery.com/wp-content/uploads/2025/12/istnienie-scaled.jpg altExistence> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/grzeszykowska/ reltag>Aneta Grzeszykowska/a>br /> span classkapitaliki>Existence/span>/h3> p>Aneta Grzeszykowska, who underwent gymnastics training during her school years, also uses her own body as a tool, creating filmic choreographies and political posters with it. Istnienie emerged in the wake of the Women’s Strike protests, but it also functions as a form of existential training, prompting reflection on the inseparability of language, consciousness, and its bodily vessel./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/dr-schnabel/?kontekstedycje relbookmark titleDr Schnabel> img srchttps://rastergallery.com/wp-content/uploads/2013/02/AUT0374a1-scaled.jpg altDr Schnabel> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/simon/ reltag>Janek Simon/a>br /> span classkapitaliki>Dr Schnabel/span>/h3> p>Janek Simon is known for his unconventional journeys into the depths of the world and into distant moments of history, translating his experiences from these voyages into the language of contemporary, democratic technologies. This time, in a series of figures realized using his distinctive 3D printing technique, the artist evokes the figure of the plague doctor./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/klebowisko-proca/?kontekstedycje relbookmark titleTangle / Sling> img srchttps://rastergallery.com/wp-content/uploads/2025/12/AUT0425a3-scaled.jpg altTangle / Sling> div classnadtytul>p>BOOK WITH ART/p>/div> h3>a hrefhttps://en.rastergallery.com/tag/stasik/ reltag>Paulina Stasik/a>br /> span classkapitaliki>Tangle / Sling/span>/h3> p>On the occasion of Paulina Stasik’s recent exhibition at the BWA gallery in Tarnów, her authorial book Autoportret z językiem na wierzchu (Self-Portrait with Tongue Out) was released. As a special edition accompanying the publication, the artist created two works in a refined printmaking technique: Kłębowisko and Proca. Both are available in a limited edition …/p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/15111/?kontekstedycje relbookmark titleDesecrator’s Gymnastics> img srchttps://rastergallery.com/wp-content/uploads/2025/12/547db6e3860c2-scaled.jpg altDesecrator’s Gymnastics> div classnadtytul>p>BOOK WITH ART/p>/div> h3>a hrefhttps://en.rastergallery.com/tag/dawicki/ reltag>Oskar Dawicki/a>br /> span classkapitaliki>Desecrator’s Gymnastics/span>/h3> p>Now available – Oskar Dawicki’s album “I’m Sorry”, with a photograph signed by the artist from the “Gimnastyka profana (Desecrator’s Gymnastics)” series, priced at 800 PLN./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/samoopalacz-helioderm/?kontekstedycje relbookmark titleHelioderm> img srchttps://rastergallery.com/wp-content/uploads/2025/12/AUT0390a_podpis-scaled.jpg altHelioderm> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/nicolas-grospierre/ reltag>Nicolas Grospierre/a>br /> span classkapitaliki>Helioderm/span>/h3> p>Nicolas Grospierre is a renowned artist and photographer, an explorer of brutalist architecture, and a creator of illusionistic photographic objects. A few years ago, he discovered the charms of heliography—images created using sunlight. The abstract compositions he produces on fabrics have been exhibited, among other places, at the Palace on the Isle in Warsaw’s Łazienki Royal Park. Helioderm is an intriguing attempt to transfer this same method onto the surface of human skin./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/autoportret-z-jezykiem-na-wierzchu/ relbookmark titleSELF-PORTRAIT WITH TONGUE STICKING OUT> img srchttps://rastergallery.com/wp-content/uploads/2025/12/website.jpg altSELF-PORTRAIT WITH TONGUE STICKING OUT> div classnadtytul>/div> h3 classkapitaliki>SELF-PORTRAIT WITH TONGUE STICKING OUT/h3> p>The publication devoted to the work of Paulina Stasik, entitled Autoportret z językiem na wierzchu, presents an extensive selection of the artist’s works accompanied by her own commentary. The volume is further complemented by essays by Natalia Gierowska and Michalina Sablik./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/zlamany-grosz/?kontekstedycje relbookmark titleBroken Penny> img srchttps://rastergallery.com/wp-content/uploads/2013/02/AUT0023a1.jpg altBroken Penny> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/olszowy/ reltag>Dominika Olszowy/a>br /> span classkapitaliki>Broken Penny/span>/h3> p>Dominika Olszowy is an artist unafraid to stoop low—picking up tiny fragments of reality, a lump of last year’s snow, or a fresh tuft of dust swept from the floor. In her hands, the small and humble can shine, as with the “broken penny”—a signature pendant on a silver chain. A new standard in artistic …/p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/fototatuaze/?kontekstedycje relbookmark titleTemporary Photo Tattoos> img srchttps://rastergallery.com/wp-content/uploads/2013/02/grzeszykowska-tatuaze.jpg altTemporary Photo Tattoos> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/grzeszykowska/ reltag>Aneta Grzeszykowska/a>br /> span classkapitaliki>Temporary Photo Tattoos/span>/h3> p>Do you also sometimes get goosebumps at the sight of Aneta Grzeszykowska’s photographs? This extraordinary artist treats the body as an illusionistic vessel for life. Now her art will touch you in the most literal way through the photo tattoos created by Grzeszykowska. A leather head in a mask is a camouflaged self-portrait of the …/p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/dama-z-lasiczka-wedlug-leonarda-da-vinci-1488-1490-muzeum-narodowe-w-krakowie/?kontekstedycje relbookmark titleLa Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow> img srchttps://rastergallery.com/wp-content/uploads/2013/02/AUT0086a1-scaled.jpg altLa Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/elsner/ reltag>Sławomir Elsner/a>br /> span classkapitaliki>La Dama con Ermellino after Leonardo da Vinci, 1488–1490, National Museum in Krakow/span>/h3> p>The puzzle, based on one of his drawings, offers an extreme journey into a tangle of thousands of coloured lines, from which the misty image of the most famous work of art in Polish museum collections gradually emerges./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/publikacje/are-you-really-from-the-art-world/?kontekstedycje relbookmark titlePoster “Are You Really from the Art World”> img srchttps://rastergallery.com/wp-content/uploads/2025/06/Areyou_sygnowany-scaled.jpg altPoster “Are You Really from the Art World”> div classnadtytul>/div> h3>a hrefhttps://en.rastergallery.com/tag/maciejowski/ reltag>Marcin Maciejowski/a>br /> span classkapitaliki>Poster “Are You Really from the Art World”/span>/h3> p>The limited edition consists of 40 copies, signed and numbered by the artist/p> /a> /article> !-- PAGINACJA -->div classpagination2>a hrefhttps://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div> /section> section classcol3 last>div idarticle-grid-right> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/jablonska-i-grzeszykowska-w-muzeum-sztuki-nowoczesnej/ relbookmark titleJabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw> img srchttps://rastergallery.com/wp-content/uploads/2026/02/MSN_241125_003.jpg altJabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Jabłońska and Grzeszykowska at the Museum of Modern Art in Warsaw/h3> p>The Museum of Modern Art in Warsaw has opened the show The Woman Question 1550–2025. At the invitation of curator Alison Gingeras, Karolina Jabłońska painted a large mural introducing the exhibition. Aneta Grzeszykowska also prepared a special photographic work referencing a 16th-century painting by Sofonisba Anguissola. The exhibition is open until 3 May 2026./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/dominika-olszowy-w-opolu-i-bialymstoku/ relbookmark titleDominika Olszowy in Opole i Białystok> img srchttps://rastergallery.com/wp-content/uploads/2026/02/kukania-dokumentacja-107-scaled.jpg altDominika Olszowy in Opole i Białystok> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Dominika Olszowy in Opole i Białystok/h3> p>Cockaigne, is on view at Galeria Arsenał in Białystok (until 9 November) and revolves around the theme of the swamp. The second, addressing the subject of waste, at the Gallery of Contemporary Art in Opole and is titled Nurdles, Dregs and the Clothes of Dead Europeans (until 30 November)./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/emilia-kina-w-poznaniu/ relbookmark titleEmilia Kina in Poznań> img srchttps://rastergallery.com/wp-content/uploads/2026/02/2025-10-31-Kina-w-kazdej-chwili-gdzies-wschodzi-slonce-jpg-high-res-1-scaled.jpg altEmilia Kina in Poznań> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Emilia Kina in Poznań/h3> p>At the Fundacja Czas Kobiet Gallery in Poznań, Emilia Kina has created a new painterly installation that characteristically intertwines scenographic and dramatic elements./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/paulina-stasik-w-bwa-tarnow/ relbookmark titlePaulina Stasik in BWA Tarnów> img srchttps://rastergallery.com/wp-content/uploads/2026/02/2025-10-19-Paulina-Stasik-Widok-Wlasny-social-media-4-scaled.jpg altPaulina Stasik in BWA Tarnów> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Paulina Stasik in BWA Tarnów/h3> p>A View of One’s Own is the title of the latest exhibition of works by Paulina Stasik at the BWA (Art Exhibition Office) in Tarnów./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/artysci/spotkanie-wgw-jak-dbac-o-spuscizne-rozmowa-o-posmiertnych-losach-sztuki-edwarda-dwurnika-i-zofii-rydet/ relbookmark titleWGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?> img srchttps://rastergallery.com/wp-content/uploads/2025/10/wgw-spotkania-2025-naklejka-kopia1-scaled.jpg altWGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?> div classnadtytul>p>WGW MEETINGS/p>/div> h3 classkapitaliki>WGW MEETING: HOW TO CARE FOR AN ARTIST’S LEGACY?/h3> p>Who takes care of an artist’s work after their death, and how? How can one organize an archive and collection? How can an artist’s legacy be promoted after their passing? We invite you to a special meeting with representatives of the family foundations of Edward Dwurnik and Zofia Rydet./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/wawel-wedlug-maciejowskiego/ relbookmark titleMaciejowski’s Wawel> img srchttps://rastergallery.com/wp-content/uploads/2025/06/Bez-nazwy-2.jpg altMaciejowski’s Wawel> div classnadtytul>/div> h3 classkapitaliki>Maciejowski’s Wawel/h3> p>Art book “Wawel Drawings” by Marcin Maciejowski is now available at Raster’s bookstore./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/simon-w-brukseli/ relbookmark titleSimon in Brussels> img srchttps://rastergallery.com/wp-content/uploads/2025/06/20250317_BOZAR_FamiliarStrangers5335-scaled.jpg altSimon in Brussels> div classnadtytul>p>EXHIBITIONS ABROAD/p>/div> h3 classkapitaliki>Simon in Brussels/h3> p>Works by Janek Simon can be seen at the “Familiar Strangers” exhibition at the BOZAR Art Centre in Brussels. Curated by Joanna Warsza, the exhibition explores diverse contemporary identities in Eastern Europe. On view until 29 June. /p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/grzeszykowska-and-kina-w-zamku-ujazdowskim/ relbookmark titleGrzeszykowska and Kina at Ujazdowski Castle> img srchttps://rastergallery.com/wp-content/uploads/2013/02/Web_Wystawa_Oczy_moje_zwodza_pszczoly_22-1.jpg altGrzeszykowska and Kina at Ujazdowski Castle> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Grzeszykowska and Kina at Ujazdowski Castle/h3> p>The show includes works from Aneta Grzeszykowska’s “Franciszka” series, as well as the debut presentation of her new series, “Negative Blood.” Emilia Kina also takes part in the exhibition, engaging in photography alongside her painting practice./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/maciejowski-w-wiedniu/ relbookmark titleMaciejowski in Vienna> img srchttps://rastergallery.com/wp-content/uploads/2013/02/Ringturmverhuellung-2025_Maciejowski_©_Hertha-Hurnaus_Rendering-Wiener-Staedtische-Vers.Verein_1916x1278_acf_cropped.jpg altMaciejowski in Vienna> div classnadtytul>/div> h3 classkapitaliki>Maciejowski in Vienna/h3> p>The façade of the Ringturm skyscraper — the headquarters of Austria’s largest insurance group — has been “dressed” in a monumental image by the artist: a portrait of poet Marcin Świetlicki standing by a bookshelf./p> /a> /article> article classbox-gl2> a hrefhttps://en.rastergallery.com/galeria/blog/zapraszamy-do-fundacji-edwarda-dwurnika/ relbookmark titleEdward Dwurnik: Portrait from Life> img srchttps://rastergallery.com/wp-content/uploads/2025/04/image0.jpg altEdward Dwurnik: Portrait from Life> div classnadtytul>p>EXHIBITIONS IN POLAND/p>/div> h3 classkapitaliki>Edward Dwurnik: Portrait from Life/h3> p>Latest exhibition, Edward Dwurnik: Portrait from Life, brings back the memory of the artist’s collaboration with Andrzej Szczygł—screenwriter and director of documentary films, who passed away in 2024. The opening will take place on Saturday, April 12, from 3:00 PM to 7:00 PM./p> /a> /article> !-- PAGINACJA -->div classpagination3>a hrefhttps://en.rastergallery.com/page/2/ >Next Page »/a>/div>/div> /section>/section>script>$(function(){var $container $(#container-gl);$container.imagesLoaded( function(){ $container.masonry({ itemSelector: .box-gl, columnWidth: function( containerWidth ) { return containerWidth / 2; }});});// infinite 1$(#container-gl).infinitescroll({ navSelector : .pagination, // selector for the paged navigation (it will be hidden) nextSelector : .pagination a:first, // selector for the NEXT link (to page 2) itemSelector : #container-gl .box-gl, infid: 0, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined } }, // trigger Masonry as a callback function( newElements ) { var $newElems $( newElements ).css({ opacity: 0 }); $newElems.imagesLoaded(function(){ $newElems.animate({ opacity: 1 }); $container.masonry( appended, $newElems, true ); }); } ); });// koniec infinite1// infinite 2$(#article-grid-left).infinitescroll({ navSelector : .pagination2, // selector for the paged navigation (it will be hidden) nextSelector : .pagination2 a:first, // selector for the NEXT link (to page 2) itemSelector : #article-grid-left .box-gl2, infid: 1, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined }});// koniec infinite2// infinite 2$(#article-grid-right).infinitescroll({ navSelector : .pagination3, // selector for the paged navigation (it will be hidden) nextSelector : .pagination3 a:first, // selector for the NEXT link (to page 2) itemSelector : #article-grid-right .box-gl2, infid: 2, loading: { finished: undefined, finishedMsg: h3>LOADING/h3>, img: http://i.imgur.com/6RMhx.gif, msg: null, msgText: h3>LOADING/h3>, selector: null, speed: fast, start: undefined }});// koniec infinite2/script>footer classonerow> !-- Wiersz stopki --> section classcol12 last idfooter> /section>/footer>/div> !-- Główny kontener - początek -->script typetext/javascript> var _gaq _gaq || ; _gaq.push(_setAccount, UA-41506356-1); _gaq.push(_setDomainName, rastergallery.com); _gaq.push(_trackPageview); (function() { var ga document.createElement(script); ga.type text/javascript; ga.async true; ga.src (https: document.location.protocol ? https://ssl :http://www) + .google-analytics.com/ga.js; var s document.getElementsByTagName(script)0;s.parentNode.insertBefore(ga, s); })();/script> script srchttp://code.jquery.com/ui/1.9.2/jquery-ui.js>/script>div idartysta-info styleposition: absolute; bottom: -4000px;>/div>/body>/html>
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